BRIDE OF FRANKENSTEIN (CRESTWOOD HOUSE)
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One in the later series of "purple covers", Carl R. Green and William R.
Sanford adapted Garret Fort's screenplay of *BRIDE OF FRANKENSTEIN* for the
Cres...
20 hours ago
3 comments:
Love the open on this film, particularly offhand dismissive reaction to the bomb. Definitely looks worth tracking down. Thanks for the heads up on the score. I'll be keeping an ear open for those musical cues.
BOMBAY MAIL had too many blase characters to hold up on a convoluted first viewing, but once Edmund Lowe arrives 17 minutes in, things do proceed at a much improved pace. Director Edwin L. Marin, who debuted with Bela Lugosi's THE DEATH KISS (1932), immediately followed this with a far superior whodunit, THE CROSBY CASE, which again featured Onslow Stevens (SECRET OF THE BLUE ROOM, HOUSE OF DRACULA) as the prime suspect. Marin later did INVISIBLE AGENT in 1942, scripted by Curt Siodmak.
Ferdinand Gottschalk went from murder victim in BOMBAY MAIL to crime solver in SECRET OF THE CHATEAU. Along with THE CROSBY CASE and THE MAN WHO RECLAIMED HIS HEAD, it was a slim year for horror at Universal, only THE BLACK CAT producing box office chills.
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