The unnumbered pages 4 and 5 from the SHOCK! promotional book. (I've increased the pixel size; click on photo to make larger in a new window.)
Starting with: "For years, tales of terror, macabre stories of ghouls and ghosts have fascinated millions in every form of entertainment. Now, for the first time, this eerie world of the weird and supernatural comes to television with stunning impact in SHOCK -- an irresistible attraction for mood programming of feature films."
And ending with:
"SHOCK! captures audiences! holds audiences! builds audiences!"
... these pages try to convince television programmers about the enduring fascination the public has with horror, and how Screen Gems is offering just what they need to attain impressive audience numbers.
Interesting that the "screen's titan's of terror" includes the Mad Ghoul (hardly on the level of Universal's other classic monsters), but does NOT mention The Mummy! Also of interest is that E. Phillips Oppenheim is placed on the same literary and popularity level as writers Edgar Allan Poe and H. G. Wells. Oppenheim (1866-1946) was, indeed, a popular writer of thrillers, but one wonders if by 1957 his renown had faded. The SHOCK! package included a film based on one of Oppenheim's most successful novels, THE GREAT IMPERSONATION.
The promo mentions Universal's THE HUNCHBACK OF NOTRE DAME and THE PHANTOM OF THE OPERA as examples of the company's "memorable films," but neither of these silent films was in the SHOCK! package--understandably so, as television audiences would not have patience with non-talkie films.
Monster Art: Daniel Horne - Here is a work in progress of Daniel Horne's beautiful portrait of Lon Chaney from "London After Midnight".
9 hours ago